The Panasonic Lumix DMC-FX580 may look like Just Another Ultra-Compact Camera, but it has two features that most cameras in its class do not.
The first is a 3-inch touchscreen LCD display.
While many camera manufacturers have touchscreen cameras, the FX580 is somewhat unique in that it doesn’t force you to use the touchscreen for everything — there are “regular” controls too.

Panasonic’s Lumix DMC-FX580 features:

• 12.1 effective megapixel CCD

• 3-inch LCD screen display (230,000 pixels)
• 25mm ultra-wide-angle LEICA DC lens with F2.8 brightness and 5x optical zoom
• New touch-screen interface and conventional operation system with the cursor key for intuitive control
• Panasonic’s new advanced iA (Intelligent Auto) mode incorporates a system of technologies, including MEGA O.I.S., Intelligent ISO Control, Face Detection, Face Recognition, AF Tracking, Intelligent Exposure and Intelligent Scene Selection
• Panasonic’s newly developed Venus Engine V processor
• High sensitivity up to ISO 6400
• Records High Definition (1280 x 720p) motion images at 30 fps
• New Panorama Assist scene mode allowing users to shoot a number of consistent photos, either vertically or horizontally, by aligning them according to a guide that overlaps the screen
• Bundled PanoramaMaker software

The DMC-FX580’s touch-screen is a hybrid operation system combining the new touch-screen interface and a conventional operation system with the cursor key for intuitive control, and it comes in an aluminum body in silver and black colors.

The Panasonic’s Lumix DMC-FX580is available now with huge savings for $209.95 – that’s 40% less (you save $140.00)!

In addition, a new Low Light mode lets you capture images in an astonishing range of conditions.
The Canon S90IS automatically adjusts the ISO speed from ISO 320 to ISO 12,800 in relation to ambient brightness, subject movement and camera shake.

The Canon S90IS’s tag price is somehow more than most point-and-shoots cost in this day and age.
But the amount of picture power this literally slips into your pocket is almost unbelievable: Outstanding low-light performance for a camera this size; a speedy lens; full control rings, plural; and yep, RAW.
It’s the soul of what makes the $500 behemoth G11 great, packaged in a true point-and-shoot.
You lose some power and some pro tools, like the swivel screen, a (shitty) viewfinder, faster burst shooting, hot shoe, some zoom and a custom mode or two, but you’re also shedding a ton of bulk, meaning you’ll actually take it everywhere.
And the best camera’s always the one you have with you – for me, that’s this camera, which just happens to be an excellent one all by itself.

Canon S90IS is available now for US $ 399.00!

The Pentax K-7 entered the Pentax range as a high-end model targeted at photo enthusiasts because its complexity made it most suitable for experienced SLR photographers.
Featuring a solid metal body, weatherproof sealing and a wide range of user-adjustable controls, it also supported high-speed continuous shooting at up to 5.2 frames/second and HD video recording at 30 frames/second.

The low-down: This 14.6-megapixel camera came fitted with the Pentax 18-55-millimetre lens. This is at the top of the company’s camera range. It has a magnesium-alloy body and is smaller than the K20D. It is weather-sealed and sports an excellent 920,000-dot LCD and 100 per cent viewfinder. It has an HD movie mode. Image stabilisation is by sensor shift. There are body-top and LCD information displays. All important controls are immediately accessible on the camera body, including a nifty white balance adjustment tool. This white balance tool itself is not unique to Pentax but the accessibility is. Among all the desirable features for serious photography is a killer innovation: true in-camera HDR (high dynamic range) processing.

Like: The in-camera HDR processing works by taking three exposures at widely spaced exposure values and then merging them into a single jpeg. Of course, it can really only work with the camera tripod mounted but that is true of any HDR sequence. The results from the Pentax K-7 are splendid and, unlike some HDR output from Photomatix or Photoshop, completely realistic.

High-quality movie recording at 1280 x 720 pixels; 30-frames-per-second
The Pentax K-7 adds a new movie recording function, extending the benefits of SLR photography to the world of movie shooting: For instance, reduce the depth of field to make the subject stand out, or use different lenses to create distinctive visual effects. Beautiful movie clips can recorded at different sizes–640 x 416 pixels, 1536 x 1024 pixels, or 1280 x 720 pixels (16:9 high-definition TV proportions)–at a frame rate of 30 frames per second. The K-7 is also equipped with an HDMI terminal and an external microphone input terminal for high quality sound to match your videos.

Pentax K-7 Technical Details

• High-resolution, 14.6-megapixel CMOS sensor; compact, magnesium alloy body
• Weather resistant, dustproof, and coldproof (14 degrees F, -10 degrees C)
• Fast 5.2 fps shooting with the new PRIME II Image processing engine; top shutter speed of 1/8000 sec freezes even the fastest action in well-lit settings
• 3-inch LCD; Live View mode, with contrast AF, Face Detection, and optional histogram, grid, and bright/dark area display
• Capture images to SD/SDHC memory cards (not included)

Pentax K-7 is available now (body only) for US $1,031.89
This means you save $822.12 (that’s 44% off regular price!)

Nikon D300s

The Nikon D300s updates the excellent D300 as Nikon’s flagship DX format DSLR. It combines the performance and handling panache of its predecessor with high-definition video capability.

The Nikon D300 made a impressionable impact when it was first launched 2 years ago making it the semi-professional DSLR to beat. And in many respects it is still the camera to beat in that class. After 2 years, Nikon deemed it is time to up the ante, which most notably includes support for 720p video capture, and launched the D300S. The D300S will replace the D300 the same way the D70S replaced the D70 and it is looking to hold on to that high-end non-full frame slot for a long time.
Design

In line with tradition, the Nikon D300s
looks just like its older counterpart. The most notable addition is the three small holes just underneath the model number which is a microphone, a feature last seen in the D90.

Many of the new features on the Nikon D300s
are those that are already featured on recent Nikon DSLRs like virtual horizon from the D3 and movies from the D90. But one genuine new feature is the inclusion of contrast-detection autofocus that operates while in movie mode. This is a first for a Nikon DSLR.

There are some changes to the connection ports on the left. The HDMI output is now a mini HDMI port with a smaller Type-C specification.
Also new are twin card slots – one Type I CompactFlash and one SD/SDHC – with a full complement of write options. Either slot can be designated the primary one, with the secondary slot used for Backup (each photo is written to both cards) or Overflow (when the primary card is full the camera switches to writing to the secondary card). In addition, the Nikon D300s
can be configured to store NEFs on one and JPEGs on the other, plus photos can be copied between the cards too. Also interesting is the support for the newer Wi-Fi capable memory cards.

Many changes can also be found on the back where there is a repositioned “Lv” button which activates the Live view feature. Just below that is the “Info” which brings the Nikon D300s
up to the same level of usability as the D90. The dedicated “Info” button is extremely useful in that it lets you get to every camera setting and menu item using only your right hand.

Performance

The Nikon D300S is responsive and the improved frame rate is also a bonus. Still image focusing is fast and the AF viewfinder confirmation display is superb, the improved frame advance rate helps with fleeting subjects but seems to suffer when shooting uncompressed RAW files.

Metering and white balance are almost flawless. In terms of white balance, using auto WB setting seems to have a slight orange cast, but if you pick the correct WB setting for the picture by using a custom setting, the D300S renders natural looking images. Metering is excellent with the 3D Color Matrix.

In terms of image noise, shots in near darkness at ISO 1600 provide images with a good balance between image detail and noise. However, pushing ISO to 6400 results in images with an obvious level of noise.

Nikon Coolpix S710

The Nikon Coolpix S710 is a 14.5 megapixel digital camera. It has a 3.6x wide angle lens. One advantage it has over other smaller compacts is the fact it also has manual exposure modes. Other features include image stabilisation and a 3 inch LCD screen.

The Nikon Coolpix S710 is a compact that’s suited to night-time photography. Not only does it feature a 3-inch LCD screen that’s bright and easy to view in low light, but it also comes equipped with a generously high ISO of up to 12800 (allowing you to capture images in lower light without the need for flash) as well a Vibration Reduction feature to cut down on unsightly image wobble.

Nikon + Nikon deal: how to apply!

Simply add a qualifying D300s and Coolpix S710 to your Shopping Cart, and we’ll automatically apply the discount at checkout!

The Panasonic Lumix DMC-GF1’s Venus Engine HD records stunning high-resolution 12-megapixel images using its advanced Live MOS Sensor. This sophisticated LSI circuit separates chromatic noise from luminance noise and applies the optimal noise reduction to each, helping to capture clear and beautiful images even when shooting at high ISO levels.

The Panasonic Lumix DMC-GF1 also comes fully-equipped with a built-in flash and a large, 3.0-inch Intelligent LCD with a wide viewing angle and a 460,000-dot resolution. The Intelligent LCD offers automatic backlight control, which when combined with its high-resolution, helps improve visibility in all light environments – from sunny outdoors to low-light interior settings.

New for the LUMIX G Series, the Panasonic Lumix DMC-GF1 is compatible with an optional Live View Finder (DMW-LVF1), which provides the full-time live view function boasting 100% field of view regardless of the attached lens. To further expand the LUMIX G Series system, Panasonic Micro Four Thirds digital cameras can be used with Four Thirds System interchangeable lenses via an optional mount adaptor DMW-MA1 and with the prestigious Leica M/R lenses using Panasonic’s DMW-MA2M DMW-MA3R. These adapters give the user access to the unlimited number of lens properties.

The Panasonic Lumix DMC-GF1 will be available in early October 2009 with the option of two kits – both with a suggested retail price (SRP) of $899.95. One kit option includes the newly-announced LUMIX G 20mm/F1.7 ASPH, a compact and lightweight “pancake” lens, while the other kit features the LUMIX G VARIO 14-45mm/F3.5-5.6 ASPH/MEGA O.I.S. The optional Live View Finder DMW-LVF1 has an SRP of $199.95; while the DMW-MA2M and DMW-MA3R both have an SRP of $249.95. All new accessories will also be available in early October.